Archive

Booklyn Exhibitions
(followed by Booklyn Participation in Exhibitions)

Rainbow 6: Warsong, 2007, 60" x 78", acyllic on canvas, photo by Joshua White

Booklyn Booklyn artist Aaron Noble had a solo exhibition at Pavel Zoubok gallery from September 6 through October 6th.

2007

Image from Bedtime for Bremer

On Wednesday, February 14, 2007, Artists Television Access of San Francisco and the Booklyn Artists Alliance presented Talk, Talk, Talk, Talk, Talk, Talk, Talk, a night of spoken word, urban folk music, performance, and a hands on presentation of tough skinned artists books and drawings from Booklyn associates. The event featured: the premier reading of Bedtime for Bremer (a fable about the USA in Iraq) by Fred Rinne and Marshall Weber; a amazing ukelele accompanied musical rendition of Christine Shield's (Blue Hole Comix creator) new parallel universe fable "The Lonely Bear and Esmeralda Treecat" by Christine!; the premier recital of Dana Smith and Scott William's "Collect Call from the Spirit World" story. Hosts, Fred Rinne and company, Karen Switzer has a posse, and ringleader Marshall Weber (ATA and Booklyn co-founder) wowed the packed house and musical ambiance was provided by maestro trumpeteer Andy DiGiovanni and Bill. Needless to say it was an astounding evening, the first ATA/Booklyn event and a harbinger of more to come.

2006

From September 2006 through January 2007 Booklyn artists and staffmembers were well represented in the Brooklyn Museum of Art's Looking Back from Ground Zero exhibition. Major artworks by Maureen Cummins, Mac MaGill, Sheryl Oring, Sarah Parkel and Mark Wagner were all in the exhibition.

September 5, 8 - 10 pm, as a very special 1st Tuesday Salon MT Karthik and Amy Ferrara presented bin Laden is dead - is al Qaeda CIA?, Mass Hypnosis and Underground History Since the Polarizing Events of 2001. Presented to a packed house this multimedia presentation concerned the War on Terror and the September 11, 2001 Attack Events as perceived through the lens of independent media and non-governmental investigations. The talk has been produced to accompany installment of the art object: Discourse on the Polarizing Events of 2001 Archive (The 2k1 Discourse), an immense multi-volume archive of documentation produced, collected and edited in New York City in the 85 days following the attacks, accompanied by a library of research produced in the years since.

The 2k1 Discourse was first exhibited in its entirety at San Francisco's Center for the Book earlier this year, and will be installed in New York for the first time at The Center for Book Arts in Manhattan from September 29th to December 12th, 2006, as a part of the touring exhibition, Found in Translation.

The authors consumed, collected and edited the work of what is now called, The 9/11 Truth Activist Movement, and present their findings in the multimedia talk, bin Laden is dead – is al Qaeda CIA? about five years of pursuing independent investigations into the 9/11 events and covering research that treats the attack events of September 11th as a crime rather than an act of war. The fifth anniversary talk and exhibition are accompanied by the inaugural publication of: The Journal of the Discourse on the Polarizing Events of 2001 Archive which collects and summarizes contemporary research on the matter into one publication. Members of Booklyn Artists Alliance met in North Brooklyn in the weeks following the events of September 11, 2001, to collaborate on, and discuss strategies for, documenting the New York City environment at that time. In addition to The 2k1 Discourse, two other exhibitions emerged from the collective's experience: the touring performance … even the birds were on fire … of 2001 and 2002, and the installation, US=THEM at 33 1/3rd Books and Gallery in Echo Park, Los Angeles, which included a performance oration of George Orwell's novel 1984 in its entirety on the first anniversary of the attacks. The multimedia talk, bin Laden is dead – is Al Qaeda CIA? is written and produced for presentation in New York City during the Autumn of 2006.

From November 3rd to December 15th, 2006 The Booklyn exhibition Evolution of Cut + Paste was installed at the Asheville Bookworks Originally mounted at the Parsons Gimbel Library in 2004, Evolution showcased the work and process of five zinesters as they became interested in handcrafts and bookmaking.

The featured artists included:
Amy Greenan, Highest Population of Rock Stars & Pumpkin
Sara Jaffe, Manifixation & Inconvenient Press
Molly Kalkstein, Tyger Voyage
Emily K. Larned, Muffin Bones, Memorytown USA, Parfait & Red Charming
Eleanor Whitney, Indulgence & Atlantic vs. Pacific Press

The opening (November 3) and closing (December 15) festivities were fabulous and informative!

Asheville BookWorks is located at 428 1/2 Haywood Road in West Asheville. Questions? Please contact Bridget Elmer (former Booklyn President!) at 828-255-8444 or bridget@ashevillebookworks.com

Asheville BookWorks offers a full spectrum of hands-on workshops including bookbinding, printmaking, papermaking and letterpress printing. Their instructors are mostly drawn from the immensely talented and growing book arts community in Western North Carolina, many who are nationally and internationally recognized.

On April 4,, from 8 - 10 pm, as part of Booklyn's First Tuesday program artist Mac Premo presented a special evening with 'book', the book that four artists (including Mac) sent back and forth from Brooklyn to Belfast for 36 weeks until it congealed into a massive collage and painted book masterpiece. For a clue visit their website.

2005

On Thursday, January 27, 12 - 8 pm, over thirty bibliophiles, printers, collectors, and librarians attended the annual Biblio Week Booklyn Open House. The event included a "please touch the art" exhibition of contemporary artist books ranging from the photocopied and stapled to the letterpressed and handbound, along with bookbinding demonstrations, refreshments, and thrilling conversation with Booklyn artists and staff.

BIBLIOGRAPHY WEEK happens each year at the end of January when the principal national organizations devoted to book history have their annual meetings. Other groups plan interesting events, too, since so many bibliophiles are in town. Some meetings and events are open to Grolier members only, but otherwise you are encouraged to show up everywhere: get a sense of what is going on in the book world, hear some interesting papers, schmooze over cocktails. Learn more about the Biblio Week schedule by visiting the Grolier Club website.

At 7:00PM on Wednesday, January 5, 2005, Booklyn presented Crazy Knowledge a hot show of Booklyn artists books accompanied by poetry and spoken word readings by NYC show-off Marshall Weber, local Es Ef anti-hero Fred Rinne, and revolutionary avatar Karen ("the only free press is your own press") Switzer.

Oddly compelling musical backup by the Iconoclasts (featuring Andy DiGiovanni on horns and the mysterious Dana on percussion) made the event completely intriguing as was promised by event promotional material. A generous pick of the week (??!) listing in the local weekly rag The Bay Guardian and frantic sobbing last minute calls by Booklyn West producer Fred Rinne had the house packed to the gills with a diverse crowd ranging from youthful anarchist 'zinesters to octogenarian anitiquarian booklovers.

Its all went down at the The San Francisco Center for the Book, 300 DeHaro St, San Francisco, CA94103 415.565.0545

2004

From September 7 through December 10, 2004 the Retrospective Red Charming was an outstanding Booklyn exhibition at the Parsons School of Design's Gimbel Library. Red Charming, the name of Emily K. Larned’s production label, is an imaginary bad translation meaning an object or an aesthetic that combines the cute with the cerebral. Red Charming publications include artist books about revolutionary mathematicians, thrift stores, postindustrial America, the precise structure of things, the discrepancies of seeing & experience, and zines about everything else. Outside the cases, viewers were invited to handle copies of the actual books or facsimiles of them; inside the cases, the installation explores the processes (including letterpress, silkscreen, photography, photocopy) and ideas utilized in each book’s production. The closing reception on Friday, December 10, 2004, 6 - 8 pm, was a fabulous event, packed with freinds and relatives celebrating the artist's many crative triumphs. Visit the Gimbel library website for library hours (open 7 days a week with some exceptions) and visiting information. Gimbel Library, Parsons School of Design, 2 West 13th Street, 2nd Floor, New York City

Starting at sunrise on Tuesday August 31, 2004, at the Vietnam Veteran’s War Memorial Plaza, on 55 Water Street in downtown Manhattan, artist Marshall Weber did a non-stop marathon out loud reading (in English) of Homer’s entire “Iliad” and "Odyssey"; one of the most compelling anti-war and return of the 'hero' stories ever written. After completing the “Iliad” Weber walked to the Whitehall Ferry Terminal in Manhattan and read Homer's “Odyssey” while riding on the Staten Island Ferry. In this memorial reading, which was dedicated to ALL the victims of recent acts of war, including those victims of the nearby World Trade Center bombings, Weber evoked a critical historical context for the reconsideration of the USA's current military policies.

The entire performance took about 46 hours and had an audience (of various durations and attention spans) in the hundreds and received numerous national and local print and radio media attention. thus the concept of providing a larger historical and mythical context for the current US/Iraqui war was evoked with some attendant publicity for the New York City Vietnam Veterans Memorial.

Listen to MT Karthik’s exclusive KPFK Pacifica Radio (in Los Angeles, CA) interview with Weber about the performance.

This event was sponsored by Booklyn and is part of the Imagine Festival of Arts, Issues & Ideas, a citywide cultural festival that inspired, instigated and supported civic engagement. From August 28-September 2 the Imagine Festival presented over 100 cultural events in 6 days, that included concerts, performances, forums, town meetings, exhibits, screenings, and other issue-based artworks.

"...in a festival of what may well turn out to be 100 events, 'The NYC
Iliad and Odyssey' may well be the most eccentric, notable and oddly
impressive." Chris Wangro, Imagine Festival, Executive Producer

Date and times:
“The Iliad”, started at sunrise on Tuesday August 31, 2004, 5:23 AM and ran 24 hours to sunrise (about 5:30AM) Wednesday September 1, at the Vietnam Veteran’s War Memorial Plaza, on 55 Water Street, Lower Manhattan, New York City

“The Odyssey”, started on Wednesday September 1, 2004, at (about 6:00AM) and ran till Thursday September 2, at 4:00AM (approximately 22 hours), on the Staten Island Ferry, running from Whitehall Ferry Terminal in Manhattan to Saint George Terminal on Staten Island. There was a lot of careening around the Terminal buldings as the ferry's were emptied at each stop. The event was free (the Staten Island Ferry is free) no tickets were necessary.

Thanks to all the volunteers that assisted in the documentation, provision of security and the care of the performer during the performance.

At 7:00PM on Tuesday, July 27 Booklyn presented California Screamin' ! - a presentation of Booklyn artist books that was free and open to the unsuspecting public at the:
The San Francisco Center for the Book
300 DeHaro St, San Francisco, CA 94103
415.565.0545
http://www.sfcb.org

From Scott Williams, 'Wild Life Fever"

It was a night of out loud and in your face (but in a nice way) presentations and readings of artists books and independent press by under-pavement Bay Area anarcho-delic art heroes Fred Rinne, Karen Switzer (of Kerbloom 'zine fame), stencil meister Scott Williams and other Booklyn artists. Hosted by motormouth Marshall Weber (ATA and Booklyn co-founder); Switzer read two powerful stories from her famed Kerbloom 'zine, Fred Rinne performed excerpts from his re-rocked opera Yanni, the Rock Opera a rewrite of the Who's Tommy which features the reall life of Yanni set to the original Who tunes. "Yanni can you hear me... is that my beer that's near you?". Fred was accompanied by maesto Andrew DeGiovanni on trumpet. Fred also read from Gemstone Fever his amazing collaboration with Scott Williams. A great time was had by all (including underground comix genuis Spain Rodriguez!) and twenty other artists books were out on the table for all to peruse.

(A unique pen and ink book, 2003)

From June 4 through the 9th, 2004 Booklyn was a featured guest exhibitor at the First Seoul International Book Art Fair both exhibiting over fifty artists books by over thirty artists, and producing a video/performance artwork which opened the festival. The Book Art Fair (concurrent with the Seoul International Book Fair and the Seoul International Electronic Book Fair) at the vast COEX Pacific Hall in Seoul, Korea. Thousands of eager viewers both from the general public and professionals engaged with the books while a staff of fluent translators assisted.

Booklyn artists Marshall Weber, Christopher Wilde and Maria Yoon opened the Fair with a newly choreographed and video/music scored version of Booklyn's ongoing interdisciplinary performance art project ...even the birds were on fire.... (A description of the performance follows.)

On June 4th, 2004, at 4:00PM (the opening afternoon of the Book Arts Fair) Marshall Weber and Maria Yoon performed ...even the birds were on fire... a four act butoh-like dance piece that used various costumes as if they were pages on the book of the human body and uses human skin as if it were a page to write upon. Delicate airplanes with evocative images flew through the air becoming gifts for the audience and giant ink brushes drew letters on the stage floor as Weber and Yoon evoked emotional landscapes of recent history. The dances were accompanied by a soundtrack of readings from various books of poetry by Booklyn poets mixed with original music by Booklyn artist and Revolocien Wreckidz composer Christopher Wilde. Live translation was provided. The piece was very well received and was reviewed on various Seoul television, radio and print media.

In May of 2004 Booklyn artist and staffmember Christopher Wilde visited the birthplace of the Codex for the opening of the first First International Biennale for Hand Printed Artists' Books Exhibition at the Bibliotecha Alexandrina in Alexandia, Eygpt. Wilde, Maureen Cummins and other Booklyn artists exhibited in the Biennale, and Wilde hand delivered a stack of artists books donated to the Bibliotecha Alexandrina by group of five Booklyn artists.

In its effort to create international artistic and creative encounters to bridge the gaps among different civilizations and to enhance dialogue between cultures, the Arts Center at the Bibliotheca Alexandrina hosted the First International Biennale for Hand Printed Artists' Books from 22 April and through May 15, 2004. The first round of the Biennale, entitled "Bibliotheca Alexandrina, Old and New; Dialogue and Bridges between Cultures", included artists, publishers and authors from Egypt, Africa and the world. Participants were invited to present diverse written texts, from the literary to the scientific and documentary. A beautiful catalog is available.

The Evolution of Cut & Paste exhibit ran from January 26 through May 14 at the Parsons School of Design's Gimbel Library. The exhibit showcased the work of four zinemakers -- a designer, a writer, an artist, and an activist -- as they became interested in the processes of handcraft & bookmaking. Curated by Booklyn artist and Education Director Emily K. Larned this popular exhibit was part of Booklyn's ongoing programming at the Parsons School of Design's Gimbel Library, which is located at 2 West 13th Street, 2nd Floor, New York City, 212.229.5587

The featured artists were:
Amy Greenan, Highest Population of Rock Stars & Pumpkin
Sara Jaffe, Manifixation & Inconvenient Press
Molly Kalkstein, Tyger Voyage
Eleanor Whitney, Indulgence & Atlantic vs. Pacific Press

A fabulous CLOSING RECEPTION was held on Friday, May 14, 2004, from 6 - 8 pm, with the even more fabulous projet Mobilivre/Bookmobile Project parked outside.

Feb. 3rd's First Tuesday featured a presentation by Anna Moschovakis and Matvei Yankelevich of the Ugly Duckling Presse. The 'Ducks' quacked about their unique publications and other projects presenting over thirty brilliant books, 'zines and small text sculptures. An improptu reading of CTL-Press's magnificent book of Chinghiz Aitmatov's poem The Song of the Akyn in the original Russian and in German (by native speakers who also provided English translation) highlighted the evening.

Biblio Week 2004 Open House. On Thursday, January 22,
from 12 - 7 pm Booklyn gave Biblio Week participants a chance to meet real Booklyn artists in their natural habitat! The Open House included: a Please Touch the Art exhibition of contemporary artist books (from the photocopied and stapled to the letterpressed and handbound), bookbinding demonstrations, conversation, and refreshments. Curators, educators, artists, librarians, collectors, bibliophiles, students, and the curious were all welcomed to attend and a half a dozen interested bibliophiles did exactly that!

2003
Lost and Found, the Work of A, W, W, & W
Artworks by a Booklyn associated artists' group, an exhibit of the Rutgers University Book Arts Symposium, at the Dana Library, Newark, NJ
Vegetable Mind
Texas Women's University, Denton, TX
…even the birds were on fire…, 9/11 exhibit
University of New Hampshire, Durham

2002
Parallel Botany (exhibition, commissioned installation, and panel discussion.)
Bryn Mawr College, Bryn Mawr, PA
…even the birds were on fire…, 9/11 themed public installation/performance,
Washington Square Park,Union Square Park, Dixon Place Theater, N.Y., NY
…even the birds were on fire… ,installation/performance,
Columbia College, Chicago, IL
Rare Books of the Future
Survey of Booklyn artists, Center for the Book Arts, N.Y., NY
Vegetable Mind
Sixth Street and Avenue B Community Garden, Manhattan, NY
Vegetable Mind
Columbia College, Chicago, IL
Us = Them, post 9/11 commentaries, books and installation,
33&1/3 Gallery/Bookstore, LA, CA

2001
…even the birds were on fire…
California College of Arts and Crafts, Oakland , CA
…even the birds were on fire…
The LAB Gallery, San Francisco, CA
…even the birds were on fire…
Track 16 Gallery, Los Angeles, CA
Growing Books, a Parallel Botany exhibit, (exhibition, outdoor installations, lecture and Vegetable Mind performance) University of Massachusetts, Amherst
The Politics of Endurance
Books, comix, 'zines, broadsides by Lower East Side artist FLY, Parsons School of Art, Gimbel Library, N.Y., NY
Vegetable Mind
Lawn du' Arts show, Memorial Art Gallery, Pyramid Arts Center, Rochester, NY
Vegetable Mind
University of Massachusetts at Amherst, MA (Part of a larger Booklyn Growing Books exhibition.)
Pieta, a Booklyn body print performance by Peter Spagnuolo, Marshall Weber and Christopher Wilde at the First Annual Cortona International Print Symposium, Italy

2000
Intellectual Property
Bookworks of Marshall Weber, Parsons School of Art, Gimbel Library, N.Y., NY

1999
Mini-comics Overture
Small press and comics by Dylan Graham, Parsons School of Art, Gimbel Library, N.Y., NY

Victory and Peace
Group show, book art by children collaborating with Arcadian Press, Parsons School of Art, Gimbel Library, N.Y., NY

1998
I, Object
Group show, survey of enigmatic contemporary book art, Parsons School of Art, Gimbel Library, N.Y., NY

Participation in Exhibitions
2005

In June of 2005 Booklyn associated artist Scott Williams, a San Franciscan known for his innovative use of stencil and airbrush in artists’ books, murals and paintings, was chosen as the 2005 Adaline Kent Award artist by the San Francisco Art Institute Artists Committee. The award is named for SFAI alumna Adaline Kent and has been given annually to a California artist since 1959. Williams’s work involves complex layering and repetition of imagery appropriated from history and popular culture, including Communist icons, the American West, Hollywood, pulp fiction, marine life, advertising and comics.

Williams received a cash award, a solo exhibit at SFAI (curated with the assistance of Marshall Weber from Booklyn's Collection Development Department). The catalog (featuring an expansive article on Scott's work by another Booklyn artist Aaron Noble) was available in time for the solo exhibition of Scott's work at Track 16 Gallery in Santa Monica. The Neo-Fake:Books and Paintings by San Francisco artist Scott Williams, which was up from October 15 to November 12, 2005.

In the Autumn of 2005, with the production assistance of the Collection Development Department, associated artist Aaron Noble painted an original temporary wall mural at the Davis Museum and Cultural Center, at Wellesley College this September, the mural was on exhibit from September to December 2005. Check it out!

2004

Booklyn was proud to have fourteen artists included in the Making Meaning: The Artist Book exhibition at the Kansas City Art Institute H&R Block Artspace. Exhibited artists were Inge Bruggeman, Mark Wagner, Emily K. Larned, Karen Switzer, Clement Tobias Lange, Sara Parkel, Fred Rinne, Xu Bing, Eleanor Whitney, Alison E. Williams, Marshall Weber, Evil Twin, David Rees, and Jamie Munkatchy.

The exhibition was curated by Heather Lustfeldt, Assistant Curator of the H&R Block Artspace at the Kansas City Art Institute, and Laura Berman, Assistant Professor of Printmaking at Kansas City Art Institute. In Heather's words, the exhibition included: works by students, visiting artists, established national artists, and many others. The exhibition will examine and explore how to "make meaning" from a wide range of ideas, practices, and approaches within the realm of the artist book, inviting viewers to conceive of various ways of approaching this task in an interactive environment.

Making Meaning: The Artist Book ran from September 17 - December 1, 2004.

Photos courtesy of M/Studios, Matthew McFarland

October 9 - 28, 2004, For the What the Book? exhibit
Flux Factory curator Kerry Downey collected artists’ books and other less formal interpretations which were displayed in an installation that challenged mass production and the mundanity of the every day coffee table book. The exhibition space was transformed from a traditional gallery into an interactive domestic lounge with multiple comfy living room scenarios in which the thousands of visitors sat, relaxed and read books. A glowing review in the Brooklyn Rail and visits by MoMA, Plum Blossonm Gallery and various area curators, librarians and collectors made this exhibit (Downey's first curatorial effort!) a major alternative hit in the NYC Fall 2004 season.

With artworks by Booklyn artists: Kurt Allerslev, Doug Beube, Dave Hoyt, Eliana Perez, Fred Rinne, Robert The, Marshall Weber, Elena Wen, Christopher Wilde, Scott Williams, and others: Woojung Ahn, BB & PPINC, Kyle Bravo, Mariwyn Curtin, Margot Casstevens, Andrea Dezso, Kerry Downey, Sharon Gilbert, Coco Gordon, Robbie Guertin, Mary Hambleton, Denise Hawrysio, Alex Holden, Shane Ingersoll, Aya Kakeda, Stacey Kirby, Yunmee Kyong, Sean McElroy, Kurt Madison, Marisol Limon Martinez, Shelia Manion Artz, Yuki Maruyama, John Meagher, Leah Oates, Eliana Perez, Maddalena Polletta, Claire Rau, Maddy Rosenberg, Jessica Rosenkranz, Rebecca Rubin, Junko Shimizu, Samara Sussman Lisa Young, and Liz Zanis

On October 24th Booklyn's Marshall Weber moderated a well attended panel at the gallery which discussed artist networking and the philosophies of artist bookmaking.

The closing party on October 28th went into the wee hours with a diverse group of eccentric Manhattanites and Brooklyn and Queens hipsters reading and drinking into the night.

From April 16 through August 15, 2004 Open House: Working in Brooklyn, an exhibition of work by 200 Brooklyn-based artists took place at the Brooklyn Museum of Art. The exhibit included artwork by Booklyn artists Xu Bing, Maureen Cummins, Christine Hill, and Emily K. Larned.

Artists' Books at the Workroom. Booklyn Artists Marshall Weber and Christopher Wilde had books on display at The Workroom in Dublin, Ireland. The show was currated by Alison Pilkington and was up from March 3rd till April 15. A review by Felicity Ford in the March issue of Circa Magazine quotes generously from Marshall Weber's article in the 2003/05 Artists' Book Yearbook .

Artists' Books: Present Tense, at the Museum of Arts and Design, January 29, 2004, 6:00 PM. A panel of artists, curators and publishers presented by The Museum of Arts & Design, moderated by Ursula Ilse Neuman, curator of Corporal Identity-Body Language. Invited panelists included: Booklyn artists: Xu Bing (cancelled), Caren Heft, and Christopher Wilde, and Buzz Spector, Kate and Patrick Hambrecht, In front of a packed house the panel explored the present and future of the book as a form of cultural expression. The participants discussed their own work and offered diverse perspectives on issues regarding the relationship between books, libraries, linguistics, literature, and independent artists' publishing.
Xu Bing was born in China, re-educated during the Cultural Revolution, and now lives in Brooklyn. His epic work colliding traditional form with post-modern theory is internationally exhibited and collected. In 1999 he received a MacArthur Genius Award for his role in the global cultural development of linguistics and printmaking.
Caren Heft's Arcadian Press books are internationally exhibited. She is an artist and activist of intense power. Heft's "Children Don't Count", a large collaborative project memorializing murdered children is legendary as an emotional tour de forceof activist artwork.
Buzz Spector is an artist and art critic whose work has been collected, exhibited, and published internationally. Currently teaching at Cornell University, Spector is well known as an innovative intellectual and creative force in the book arts field.
Kate and Patrick Hambrecht are creating an illustrated version of the bible, the Flaming Fire Illustrated Bible, verse by verse, with contributions from thousands of artists and non-artists alike.
Christopher Wilde has been proprietor of Artichoke Yink Press since 1993. Since 1998, he has been President of the Booklyn Artist Book Alliance, in Brooklyn, New York, a unique collaborative organization of over fifty book artists that curates exhibitions, distributes and publishes artists' books and provides Book Arts educational programming at all levels of instruction. Any of Wilde's one-of-a-kind books are designed co-jointly with internationally renowned poets, painters, and graphic artists. Free with Museum admission.

2003
9th Triennial,
American Museum of Art and Design, N.Y., NY

9th Triennial,
Museum fur Angewandte Kunst (MAK), Frankfurt, Germany
and Klingspor Book Arts Museum, Offenbach, Germany

Booth at the Frankfurt Bookfair
Frankfurt, Germany

Booklyn at the Portland Zine Symposium
Bridget Elmer & Emily K. Larned and the indefatiguable and beloved Booklyn intern Eleanor Whitney ran a most pop table with Booklyn 'zines and books, appeared on a fresh panel and were workshop facilitators at the Portland Zine Symposium on August 2 & 3.

2002
Ides of March
ABC No Rio, N.Y., NY (also designed catalog for exhibit)

2001
Books by Artists
Nicole Klagsbrun Gallery, N.Y., NY

2000
Bookland
Long Island University, Brooklyn, NY

Recent Acquisitions, Prints and Drawings
Metropolitan Museum of Art, N.Y., NY

Artists' Books
Brooklyn Museum of Art, NY

This page is maintained by Marshall Weber.